01
Pin the brief
Product shots, an old winner, a face, a location. Anything on the board is fair game — scribble a label so the Director knows what it's for.
NEWAdStudio is opening to a first crew of advertisers. Get on the list →
THE AI AD STUDIO — BRIEF IN, SPOT OUT
Create amazing ads
with AI, in minutes.
Pin your product, your people and your vibe to one board. Write the brief. The Director casts, shoots and cuts the whole spot — Veo 3.1, Omni, Seedance 2.5 and Kling behind the glass.
no card, no demo call —
just the list.
just the list.
9:16 / 1:1 / 16:9 · TAKES IN MINUTES · ON-BRAND BY DEFAULT
HOW IT CUTS
Three moves. That’s the whole job.
No timeline to learn before you start, no six tools to stitch together, no agency round-trip. Everything happens on one board.
02
Say it once
One honest sentence. The Director casts the models, writes the shots, and tells you what it will cost before anything renders.
03
Take it to the table
Trim, split, caption, score, export. The cutting table is right there when you want frame-level control — and editing is free, forever.
THE REEL
Twelve real cuts. Nothing staged for this page.
Straight out of the studio’s own take store — different products, different languages, different worlds. Hover isn’t needed: they play as they arrive.
Sound is off on the grid so the page stays quiet. Characters are synthetic; no real person’s likeness is cloned.
ONE BOARD
Everything the ad needs, pinned to one wall.
Assets, actors, references, the winning ad you want to beat — all in one place, all addressable by the brief. Drag something on and the Director can use it in the next take.
- Capture a brand straight from its website — logo, palette, fonts, tone.
- Label a pin and it becomes vocabulary the Director understands.
- See the price on the button before a single frame renders.
the product
our actor
the look
b-roll
the cut to beatTHE BRIEF
one sentence. that’s the whole job.Our actor holds the pouch on a Paris terrace, says it in French, then we cut to the beach on the word “summer”.
Cut it — 14 crTHE CREW
You don’t pick a model. You get a crew.
Every job goes to whoever shoots it best. The names below are the models actually wired into the studio today — no logo wall of other people’s customers.
CINEMATOGRAPHER
VEO 3.1
Long takes, real physics, audio recorded in the shot. The one you trust with the hero.
BODY DOUBLE
OMNI
Edits footage you already have — swaps the lead, changes the wardrobe, keeps the light honest.
CHOREOGRAPHER
SEEDANCE 2.5
Motion that sells product. Pours, spins and unboxings that land on the beat.
ART DEPARTMENT
KLING
Whole worlds on demand — anime, clay, comic, vintage stock. One card, one vibe.
WHAT IT CAN DO
The part your editor usually charges for.
YOUR ACTOR, YOUR PRODUCT
Someone who actually holds the thing
Pin the pouch, the bottle, the app screen. The actor picks it up, shows it, wears it — in a room you never had to book.
BEAT-LOCKED EDITS
Change on the snap, not around it
Say “on the clap he's in a suit” and the cut lands on the clap — the studio listens to the audio and switches on the exact frame.
ONE TAKE, ANY LOOK
Style is a card, not a reshoot
Pop-art, claymation, action-movie, documentary. Drop a style on the board and the same performance comes back wearing it.
ONE ACTOR, ANY SET
Terrace, park, studio — same person
Move the scene without losing the face, the outfit or the framing. Localise the script too: the accent follows the language.
EARLY ACCESS
Ready to out-ship your category?
We’re opening AdStudio to a first crew of advertisers. Leave an address and you’ll get the keys — and a say in what we build next.
One email when it opens. Nothing else, ever. Unsubscribe is a reply.
WHO’S BEHIND IT
A small crew and a very large rack.
AdStudio is built by an independent studio, not a growth team. If you write, the person who built the thing answers — usually the same day, usually with a fix rather than a ticket number.
hello@adstudio.videoactually need. we’ll build it.
STRAIGHT ANSWERS
Questions we’d ask too.
What actually comes out?
A finished video ad — 9:16, 1:1 or 16:9, with voice, in the language you asked for. Not a storyboard, not a deck. Every clip on this page is raw output from the studio.
Do I need footage to start?
No. You can start from nothing but a sentence. If you do have footage — a phone clip, an old winner, a product shot — pin it to the board and the studio edits that instead of inventing a new one.
Which models are behind it?
Veo 3.1 for hero shots, Omni for editing footage you already have, Seedance 2.5 for product motion, Kling for stylised worlds. You never pick one unless you want to — the Director casts the job.
Can I change the cut afterwards?
Yes. There's a real cutting table underneath: trim, split, overlays, captions, music, transitions, export. Editing costs nothing — you already paid for the pixels.
Can I use my own face or my own actor?
You can pin a reference and the studio will build a character around it. Pixel-exact cloning of a real person's face is blocked by the model providers, and we don't route around that.
What does it cost?
Per second of finished video, priced on the button before you press it. Exact tiers land with early access — that's part of what the first crew helps us set.